Le nozze d'Ercole e d'Ebe

The Marriage of Hercules and Hebe
1785

Description

Librettist: Anonymous
Dramma per musica¹
Date: 1785
Language: Italian
Small-scale

Characters

Ebe: soprano
Giunone: soprano
Amore: alto
Ercole: tenor
Giove: bass
Chorus

Synopsis

A story of gods and heroes, centred on Ercole’s arrival on Olympus and the conflict between Giove and Giunone. The work begins with a dispute between the two gods concerning the elevation of Ercole, Giove’s illegitimate son, during which Giunone’s intrigues that led to his death are recalled. When Ercole is finally received among the gods, Amore presents him with Ebe, Giunone’s daughter. She initially opposes the idea of a union between the two, but ends up accepting the romance, convinced by the arguments of Giove and Amore and by Ercole’s respectful attitude. The young couple declare their love and their marriage becomes imminent.

In the second part, the action transforms into an allegorical celebration of the royal marriages between the houses of Bourbon and Braganza: Ercole, Giunone, Ebe and Amore promise to intercede for the Iberian sovereigns, guaranteeing peace, prosperity, youth, glory and union between their peoples. Giove closes the work by exalting celestial harmony and the golden age associated with the reign of these monarchs, in a final chorus of common exaltation.2

Instruments

2 Fl | 2 Ob | 2 Cl | 2 Bsn | 2 Tpt | 2 Hn | Vln | Vla | Vc | Cb
Publisher (Ouverture): AVA Musical Editions
Score: Biblioteca do Palácio Nacional da Ajuda

Premiere

Date: 1785
Venue: Palace of the Spanish ambassador, the Count of Fernan Nuñez
Cast: Giovani Gelati, Fedele Venturi, Tadeo Puzzi, Gioachinno Oliveira and Ansano Ferracuti

Scores & More Information

Scores & Materials: Biblioteca do Palácio Nacional da Ajuda    AVA Editions (Ouverture)

References

  1. Although Manuel Carlos de Brito refers to Le nozze d’Ercole e d’Ebe as an opera, and despite it being identified as dramma per musica in the libretto, the designation on the title page of the musical source is “Serenata” (see Castro 2018, 48).
  2. Pedro Castro, “Música para a troca das princesas: Estudo comparativo das obras dramáticas comemorativas do duplo enlace entre as monarquias ibéricas (1785),” Revista Portuguesa de Musicologia 5, no. 1 (2018): 43-44.